the on-line production resource centre at Pacific CinémathèqueV1.0 
Welcome to InPoint
 
InPoint HOMEYouth ProductionsUnderstanding the Structure and Conventions of Filmmaking.The stage of filmmaking before you start shooting.Shooting your piece.The stage of turning your footage into a completed video.Pacific Cinémathèque Education Department
 
Night shoot  in Road Safety PSA
Seatbelt PSA
   
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Seatbelt01.
Seatbelt PSA
The lighting in this piece looks deceptively simple. In fact, the filmmakers of the Seatbelt PSA added two studio lights, one gelled red and one gelled blue, in addition to the available light from mixed sources at night. The result is a moody, romantic car interior that supports the story.

Janus 02.
Janus
Tracking shots are a great way to enhance a sense of motion and action, as in this scene in Janus set on a basketball court. Keeping the camera steady can be challenging without a dolly; keeping your elbows tucked against your sides and holding the camera as steadily as possible in front of you can help. Using a shopping cart or wheelchair as a makeshift dolly is also effective.


Bensly03.
Bensly
The filmmakers of Bensly created a short animated sequence to set up the context of the story, rather than telling it to us in voiceover or additional acted scenes.
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Girl Skaters Suck04.
Girl Skaters Suck
Setting an interview in the subject’s usual surroundings rather than a studio setting lets the audience ‘know’ her better by providing additional visual information about her life, as in the documentary Girl Skaters Suck.
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Funding for the development of InPoint was generously provided by

Vancouver Foundation


 
Production
shooting your FIlm or video. also known as "the fun part"

Advances in camera and related technology are making the technical skills needed to create a video project increasingly accessible. In order to shoot your piece, you will need to become familiar with your camera equipment, learn how to "read" and manipulate the light in a scene, and work with audio equipment to get the best-possible sound from the locations you’ll be shooting in.

Once you've reached this stage, you will be shooting your footage and doing interviews and voiceovers.

 

issues to consider when you're shooting
Shooting checklist, scouting locations, setting up your camera and audio
 
issues to consider when you're composing a shot
Your field of view, camera movement and framing
 
tips on working with lighting equipment
Handling tips, 3-point lighting and lighting sources
   
tips on working with sound equipment
Using different mics and things to look out for
   
Interview techniques
Planning and executing a successful interview
 

technical skill-building exercises

Setting up the camera
Familiarizing yourself with the tripod and camera operations
   
camera scavenger hunt
A checklist of shots to record in 20 minutes
   
camera scavenger hunt — social justice theme
A checklist of shots wih a social-justice theme to record in 40 minutes
   
sound scavenger hunt
A checklist of sounds to record in 20 minutes
   
In-camera edit exercise
Shooting an un-edited scene using storyboards and shot lists
   
video role playing in-camera edit exercise — social justice theme
3-hour exercise to shoot a social-justice themed scene without editing
 

worksheets

production checklist
Keeping track of your shooting requirements
 
production schedule
Preparing your shots
 
equipment sign-out sheets
Keeping track of your equipment
   
sample letter of agreement for music
Getting clearance to use pre-recorded music
   
sample letter of agreement for video images
Getting clearance to use pre-recorded images
   
sample release form for individuals
Getting the agreement of individuals to be shown in your production
 

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