the on-line production resource centre at Pacific CinémathèqueV1.0 
Welcome to InPoint
 
InPoint HOMEYouth ProductionsThe Language of FilmThe stage of filmmaking before you start shooting.Shooting your piece.The stage of turning your footage into a completed video.Pacific Cinémathèque Education Department
 
Painted Body still from Inertia
Inertia
   
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Janus01.
Janus
The low camera position is intended to create a sense of being on the floor with the characters in Janus. Ask yourself whether the highly unusual perspective distracts you from the scene or creates a sense of being right in it.


Plant Heist 02.
Plant Heist
This well-crafted scene in Plant Heist illustrates a small but important event in the story. Imaginative camera angles, good production values, thoughtful pacing, choice of location, and believable characters contribute to the strength of the scene.


Catch Me If You Can 03.
Catch Me if You Can
Sound is the driving force in the music video Catch Me if You Can. Note how the editing mirrors the rhythm of the music.


Funding for the development of InPoint was generously provided by

Vancouver Foundation

 
The Language of Film
understanding the structure and conventions of filmmaking

Filmmaking: The creative use of the visual language of moving images

The first stage of developing the skills to write and shoot a film or video is to learn the visual language of moving images. From narrative structure to the technical codes of lighting styles and camera angles, learning the "grammar" of filmmaking provides us with the tools to both "read" the stories of others and to produce our own. It gives us the language with which to express a creative vision.

 

narrative structure

what is narrative structure?
The distinction between a story and the plot
 
classical narrative structure
The 3-Act structure and its different elements
 
alternative forms of narrative structure
The Realistic and Formalist narrative structures
 

scenes and shots

the scene and mise en scène
Building momentum and using space effectively
 
the film shot
Types of shots and how they are ordered
 
the film shot, camera angles and movement
The impact of shooting from different angles and moving the camera
 

Sound in filmmaking

sound in filmmaking
The impact of sound-effects, music and dialogue
 

lighting in filmmaking

lighting in filmmaking
The cinematogropher, lighting keys and contrast
 

©2004 Pacific Cinémathèque